Publications by Team Members and Visiting Fellows

Robinson, Dylan. (forthcoming 2011) ‘Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake’. Opera Indigene: Re/presenting First Nations and Indigenous Culture. Ed. Karantonis and Robinson. London: Ashgate.

Robinson, Dylan. (forthcoming 2011) ‘Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathy Charles Wherry, Tracey Herbert, and Marion Newman’. Opera Indigene: Re/presenting First Nations and Indigenous Culture. Ed. Karantonis and Robinson. London: Ashgate.

Robinson, Dylan and Karantonis, Pamela, eds. (2011) Opera Indigene: Re/presenting First Nations and Indigenous Culture (London: Ashgate).

Robinson, Dylan. (2011) ‘Listening to the Politics of Aesthetics: Contemporary Encounters Between First Nations/ Inuit and Early Music Traditions’. Aboriginal Music in Canada. Ed. Beverly Diamond, and Anna Hoefnagels. McGill-Queens University Press.

Castro, Estelle. (forthcoming 2011) Entries for Encyclopédie des Femmes créatrices (Edition des Femmes): ‘Ecrivaines polynésiennes et Littérama’ohi’ (‘Polynesian women writers and Litterama’ohi’), ‘Femmes auteures aborigènes’ (‘Aboriginal women writers’), ‘Flora Devatine’, ‘Yvette Holt’, ‘Jackie Huggins’, ‘Terri Janke’, ‘Romaine Moreton’, ‘Stéphanie-Ariirau Richard’, ‘Marie-Claude Teissier-Landgraf’.

Moyo, Arifani. (2010) Deconstructing the Native/Imagining the Post-Native: Race, Culture and Postmodern Conditions in Brett Bailey’s ‘plays of miracle and wonder’. Saarbrucken: Lambert Academic Publishing.

Huarcaya, Sergio. (2010) ‘Othering the Mestizo: Alterity and Indigenous Politics in Otavalo, Ecuador’. Latin American and Caribbean Ethnic Studies. 5.3: 301-315.

Robinson, Dylan. (2010) ‘Musical Alterity and Musicology’. At the Intersection Between Art and Research: Practise Based Research in the Performing Arts. Ed. Carsten Friberg and Rose Parekh-Gaihede. Århus: Nordiskt Sommaruniversitet Press.

Robinson, Dylan. (2009) ‘Musical Epistemology’. Ways of Knowing: (Un)doing Methodologies, Imagining Alternatives in the Humanities. Ed. Verstraete et al. Newcastle upon Tyne: Cambridge Scholars Publishing. 245-66.

Llanes-Ortiz, Genner. (2009) Book review of Yucatan in an Era of Globalisation. Ed. Baklanoff, Eric N. and Moseley, Edward H. (2008).Bulletin of Latin American Research. Vol. 28, No. 3.

Castro, Estelle. (2009) ‘Interdisciplinarity, “Mythunderstanding” and Aboriginal Literature: Shifting Ground in Terri Janke’s, Eric Willmot’s and Romaine Moreton’s Fictional and Poetic Works’. L'interdisciplinarité en question/Questioning Interdisciplinarity. Nancy: Presses universitaires de Nancy. (forthcoming)

Gilbert, Helen. (2009) ‘Aboriginal Theatre in Canada’. Cambridge History of Canadian Literature. Ed. Coral Ann Howells and Eva-Marie Kröller. Cambridge: Cambridge UP. 518–35.

Castro, Estelle. (2009) ‘Pré-occupation et souffle du lieu dans Carpentaria’, Loxias 25: Littératures du Pacifique. http://revel.unice.fr/loxias/document.html?id=2917

Castro, Estelle. (2009) ‘Making Memory, Making Poetry: The Sovereignty of the Mind and Imagination in Contemporary Indigenous Australian Literature’. Indigeneity: Culture and Interpretation. Ed. G. N. Devy, Geoffrey V. Davis, K. K. Chakravarty. Orient Blackswan. 269–78.

Robinson, Dylan. (2008) ‘Musicology Objects’. Collision: Interarts Practice and Research. Ed. Cecchetto et al. Newcastle upon Tyne: Cambridge Scholars Publishing. 225-42.

Castro, Estelle. (2008) ‘”We want to leave in Peace” – A review of Warriors for Peace: The Political Conditions of Aboriginal People as Viewed from Palm Island, by Barbara Glowczewski and Lex Wotton’. National Indigenous Times, 6 Nov. 2008.

Robinson, Dylan. (2008) ‘Distracting Music’. Musicological Explorations 9: 7-43.

Llanes-Ortiz, Genner. (2008) ‘Interculturalización fallida: Desarrollismo, neoindigenismo y universidad intercultural en Yucatán, México’ (‘Failed interculturalization: developmentalism, neo-indigenism and intercultural university in Yucatan, Mexico’). Revista TRACE. No. 53, VI: 49-63.

Castro, Estelle. (2008) Les autres / The others: the touring exhibition of the other APT, bilingual catalogue for ‘the other APT’ travelling to the Tjibaou Cultural Centre. (translation) Nouméa. [58 pp]

Robinson, Dylan, Cecchetto, David, Cuthbert, Nancy and Lassonde, Julie, eds. (2008) Collision: Interarts Practice as Research (Newcastle upon Tyne: Cambridge Scholars).

Gilbert, Helen. (2007) Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia. Co-authored with Jacqueline Lo. London: Palgrave Macmillan. [246 pp]

Castro, Estelle. (2007) ‘Micky Garrawurra et Tom Djumburpur. Deux hommes paisibles’. (translation of Djon Mundine’s ‘Two Quiet Men.’) Multitudes 30 (Septembre): 49–55.

Castro, Estelle. (2007) ‘Quand la parole libère (de) l’écrit, et l’écrit (de) la parole … Entretien avec Romaine Moreton’. (‘When Speaking Frees (from) Writing, and Writing (from) Speaking … Interview with Romaine Moreton’.) Multitudes 28 (June): 101–12.

Castro, Estelle. (2007) Translation of Romaine Moreton’s ‘Blak Beauty’ and ‘I shall surprise you by my will’ (translated with Philippe Guerre). Multitudes 28 (June): 112–20.

Castro, Estelle. (2007) ‘Imaginary (re)vision: Politics and Poetics in Sam Watson’s The Kadaitcha Sung and Eric Willmot’s Below the Line’. Anglophonia: French Journal of English Studies 21: 159–70.

Castro, Estelle. (2007) ‘Littérature aborigène, entre traditions et reconnaissance’. (‘Aboriginal Literature: between Traditions and Recognition’.) Le Mensuel de l’université 13 (February). http://www.lemensuel.net/2007/02/01/litterature-aborigene-entre-tradition-et-reconnaissance/

Castro, Estelle. (2006) ‘Butterfly Song de Terri Janke’: introduction to and translation of the beginning of Terri Janke’s Butterfly Song (translated with Philippe Guerre). Correspondances Océaniennes 5.2 (December): 29.

Castro, Estelle. (2006) ‘Crossing and Pushing Boundaries of Strangeness in Contemporary Aboriginal Poetry’. Commonwealth Essays and Studies 29.1: 97–107.

Castro, Estelle. (2006) ‘Soirées océaniennes à la Comédie-Française’. (‘Oceanian Nights at the Comédie Française’.) Littérama’ohi 9 (May): 24–30.

Castro, Estelle. (2005) ‘Back and forth … From Text to Performance – Open and Spoken Texts or the Practice of (Un)writing in Aboriginal Poetry’. Commonwealth Essays and Studies: Textual, Contextual, Extra-textual 28.1: 53–63.

Llanes-Ortiz, Genner. (2005) ‘Construyendo el dialogo de saberes desde la base. Universidades indígenas en America Latina: reflexiones y experiencias sobre la "interculturalidad"’ (‘Constructing the dialogue of knowledges from the bottom up. Indigenous universities in Latin America: reflections and experiences on "interculturality"’). Etnicidad en Latinoamerica: movimientos socials, cuestión indígena y diasporas migratorias. Ed. Pujadas and Dietz. Sevilla, Spain: FAAEE, Fundacion El Monte, Asana.

Huarcaya, Sergio. (2005) ‘Los Límites de la Maleabilidad de la Historia Nacional en Cacha, Ecuador’ (‘The Limits of the Malleability of National History in Cacha, Ecuador’). Revista Andina. No. 40:101-124.

Llanes-Ortiz, Genner, Rosales, Margarita. (2003) ‘La defensa y la transformación de un legado: organizaciones indígenas en la Península de Yucatán’ (‘The defence and transformation of a legacy: Indigenous organizations of the Yucatán Peninsula’). Los Investigadores de la Cultura Maya. Campeche, Mexico: UACAM. 11, Vol. II.

Gilbert, Helen. (2003) ‘Great Adventures in Nursing: Colonial Discourse and Health Care Delivery in Canada’s North’. Jouvert: A Journal of Postcolonial Studies 7.2. http://english.chass.ncsu.edu/jouvert/v7i2/con72.htm

Gilbert, Helen. (2003) ‘Black and White and Re(a)d All Over Again: Indigenous Minstrelsy in Australian and Canadian Theatre’. Theatre Journal 55.4: 679–98. Reprinted in Ric Knowles and Ingrid Mündel eds. “Ethnic,” Multicultural and Intercultural Theatre. Toronto: Playwrights Canada Press, 2009. 115–33.

Huarcaya, Sergio. (2003) ‘La Investigación de Campo en los Estudios Culturales. Presuposiciones, Fundamentos, Amplitud y Validez a partir de una Etnografía en los Andes Ecuatorianos’ (‘Fieldwork in Cultural Studies. Presuppositions, Foundations, Scope, and Validity based on an Ethnography in the Ecuadorian Andes’). Estudios Culturales Latinoamericanos: Retos Desde y Sobre la Región Andin. Ed. Catherine Walsh. Quito: Universidad Andina Simón Bolívar. 315-324.

Huarcaya, Sergio (2003) No os embriaguéis ... borracheras, identidad y conversión evangélica en Cacha (And be not drunk ... drunken sprees, identity, and evangelic conversion in Cacha, Ecuador). (Quito: Abya Yala).

Gilbert, Helen. (2002) ‘Embodied Knowledges: Technologies of Representation in a Postcolonial Classroom’. Crucible of Cultures. Ed. Marc Maufort and Franca Bellarsi. Brussels: Peter Lang. 326–40.

Gilbert, Helen. (1998) ‘Reconciliation? Aboriginality and Australian Theatre in the 1990s’. Our Australian Theatre in the 1990s. Ed. Veronica Kelly. Amsterdam: Rodopi. 71–88. Reprinted in Andrew Hassan and Amit Sarwal, eds. Australian Studies Now. Delhi: Indialog, 2007. 85–108.

Gilbert, Helen. (1998) Sightlines: Race, Gender and Nation in Contemporary Australian Theatre. Ann Arbor: Michigan University Press. [274pp]

Gilbert, Helen. (1996) Post-colonial Drama: Theory, Practice, Politics. Co-authored with Joanne Tompkins. London: Routledge. [344pp] Translated into Korean, 2006.

Gilbert, Helen. (1994) ‘“Talking Country”: Place and Displacement in Jack Davis's Theatre’. Jack Davis: A Critical Study. Ed. Gerry Turcotte. Sydney: Collins-Angus & Robertson. 60–71.

Gilbert, Helen. (2001) ‘De-scribing Orality: Performance and the Recuperation of Indigenous Voices’. De-scribing Empire: Colonialism and Textuality. Ed. Chris Tiffin and Alan Lawson. London: Routledge, 1994. 98–111. Reprinted in Colin Counsell and Laurie Wolfe, eds. Performance Analysis. London: Routledge. 116–23.

Gilbert, Helen. (1992) ‘The Dance as Text in Contemporary Australian Drama: Movement and Resistance Politics’. ARIEL: A Review of International English Literature 23.1: 133–47.

Gilbert, Helen. (1990) ‘Historical Re-presentation: Performance and Counter-discourse in Jack Davis's Drama’. New Literatures Review 19: 91–101.